Owning the ability convey a particular message in a brief but comprehensive manor, evidently, is pretty important. The best examples of this are usually successful due to their simplicity, essentially taking a familiar subject and turning it into something unexpected, yet, understandable. The kind of designs that seem so obvious you almost feel like a fool for not noticing them earlier. I'm imagining the satisfactions you experience when somebody cracks a witty joke — it simply works. It's intelligent, quick to grasp, doesn't baffle and isn't literal in the sense that it deadens any excitement.

A recent lecture by Gary Neill explored creative techniques including substitution, inversion, surrealism and exaggeration. Stemming from this I've collated some examples that successfully combine the former and creative wit. Some overlap in their technical approaches, others fall outside of these categories, however, all are results of great artistry.

Combination / substitution

Athletics fundraising event for Richard House Children's Hospice. The Partners, 2008.

 

Promo for an exhibition on youth culture: Talking about his generation. Coy! Communications, 2011.

 

Upbeat calendar for an unlucky year, 365 raffle tickets to tear off. Mytton Williams, 2013.

 

Inversion

Teaser for final episode of 'Friends', airing Friday. 4Creative, 2005.

 

Surprisingly ordinary prices. Campaign for Volkswagen Polo L. BMP DDB, 1998.

Piggybacking on established formats. Beware pickpockets, campaign for London Transport. Unknown artist and date.

Exaggeration / USP

Advertising Smart Car's ability to park anywhere, much like a bicycle. BBDO, 2010.

 

Contradicting traditional associations of luxury with ugly. Volkswagon campaign. DDB, 1959.

Surrealism

Leo's Room. The hard reality of children living on the streets. Campaign for the Consortium for Street Children. The Partners, 2013.

 

Cigarettes with sexual undertones that obey the UK's advertising restrictions. Silk Cut campaign. Saatchi & Saatchi, 1984.